Women significance in design

A forgotten hero: Jacqueline Casey

Women weren’t always acknowledged in the public eye. They were “treated as the inferior, minority sex” [1], and were constantly overshadowed by men in the creative discipline of design. Women over all creative fields have contributed a vast amount of iconic designs over the years ranging from graphic, product, industrial and architectural design just to name a few. However, they have not been recognised for their designs even though they’re just as capable and proficient as men.


Jacqueline Casey (1927 – 1992)

The designer I’ve chosen to focus on is Jacqueline Casey, a graphic designer born in 1927, Massachusetts. She was a 1949 graduate from Massachusetts College of Art, which is now known as Massachusetts College of Art and Design. After she graduated, she struggled to obtain a job in the creative field, so she works as a cashier to make ends meet financially. She persisted and worked hard to develop her own technique and style.

Retrieved from: http://www.grafiktrafik.com/jacqueline-caseys-swiss-style-posters/

Retrieved from: http://www.grafiktrafik.com/jacqueline-caseys-swiss-style-posters/

in time, Casey was later employed by Muriel Cooper, an alumna at MIT (Massachusetts Institute of Technology). She was enlisted to design a collection of posters. This collection ended up being one of her most iconic designs. “Casey’s posters generally consisted of a striking image or bold typography, accompanied by informational details in small text” [2]. Her methods in design has been influenced by the Swiss movement by using san-serif typefaces, a grid template to enhance simplicity and readability. “Casey’s work acknowledges the influence of the Grid established by the post-war graphic design masters in Switzerland” [3] such as Josef Müller-Brockmann and Armin Hofman who were the iconic designers during the 20th century.   

Retrieved from: http://www.grafiktrafik.com/jacqueline-caseys-swiss-style-posters/

Comparing Casey’s posters to the posters produced by Earthworks, they share similar characteristics. With further analysis, they both utilize the asymmetric layout in combination with bold san-serif type and vivid colours. Both using a similar technique, of grasping the viewers’ attention by implementing a hierarchical structure. “Earthworks poster collective as a group [that] created iconic images” [4] which was enlarged central image as the central focus spanning across the entire poster. Over the image, supporting text surrounds the outskirts of the poster to entice the viewers to delve deeper once they’re hooked in.  This same strategy was also Casey’s methods to designing posters too.

Retrieved from: https://maas.museum/

Casey’s posters were acknowledged in the design community for her science and technology poster designs. She was skilled in her ability to effectively communicate information in a interesting and creative manner. Casey always considered how the audience would view her work and succeeded in making them think about the ‘deeper meaning’ in a flowing pattern. Her legacy in art and design will continue to inspire young designers who aspire to reach their goals. As we can all relate to her struggles as a graduate, in the tough industry of design but she will also continue to impact the future of design practice.

References

1. History Of Graphic Design. (2019). 07. Jacqueline S. Casey. [online] Available at: https://edpacheco16.wordpress.com/jacqueline-s-casey/ [Accessed 10 Apr. 2019].

2. History Of Graphic Design. (2019). 07. Jacqueline S. Casey. [online] Available at: https://edpacheco16.wordpress.com/jacqueline-s-casey/ [Accessed 10 Apr. 2019].

3. Flask, D. (2019). Swiss Design : Design Is History. [online] Designishistory.com. Available at: http://www.designishistory.com/home/swiss/ [Accessed 11 Apr. 2019].

4. Berry, J. (2009). Earthworks and Beyond. Personal communications.

Monica Yin

NGV: Designing Women

24th March 2019

Designed work by women, spanning from 1980-2018

It was a sunny Sunday morning as I made my way into the city, the drive-in was scenic and refreshing. I planned to meet Kelly at 11:30 am for our NGV outing. Since I was half an hour early, I made my way towards Lindt Café Southgate with my usual coffee order ‘a regular strong cappuccino, no sugar’. Feeling more energetic after my coffee fix, I walked along the Yarra towards the waterfall wall at the entrance and spotted Kelly. We picked up a brochure and made our way up in the different levels of the gallery in sequential order.

One hour in, and we’d finally reached the third level for contemporary art and design showcasing the ‘Designing Women’ exhibit. This exhibit highlights a collection of women designed work from around the world. As the issue has come to light that “Not enough women designers are given the recognition that they deserve,” [1] says graphic designer Antonio Carusone. Stating that “only a small fraction of active female designers receive public acclamation” [2].

The exhibit explores four themes; leadership, teamwork, research, and community. Ranging from fashion, product and furniture design in combination with architectural and textile pieces. It was a space bringing together multiple female designers from various disciplines into one location furthermore how their power of creativity has shaped modern design practice. Changes for “equal opportunity saw women respond positively to these competitive pressures” [3] to continue to challenge themselves and push creative boundaries in design.


My initial thought walking in the entrance was “wow, it’s like a colour spectrum in here, these designs are so vibrant”. The ambient lighting was ill-lit setting a confined atmosphere. But the light fixtures were thoughtfully placed in areas to highlight the objects on display to make them stand out. Even though the exhibition space wasn’t large, the artworks were spread out to make it less cluttered which also helped create a separation to avoid any confusion.

Designers included in the exhibition consisted of Zaha Hadid, Ann Robinson, Neri Oxman to name a few international designers. Featured works by Australian designers, such as Other Places by Elliat Rich and the collection of product and industrial design by Daniel Emma was interesting to me to learn more about local design also.

But the highlight for me would be the the La La Lamp by Helen Kontouris. The vibrant red is striking to the viewer’s eyes in combination with its unique form. The lamp is made of 2 conic shades constructed from opaline coated fabric. The design is also quite futuristic and reflects how contemporary art and design is intriguing, as the characteristics of the floor lamp is quite quirky, abstract, colourful and fun.

The main ideas centered around these design works was to present the contrast between past and present design. Elliat Rich stated, “You want to inspire people [to think], ‘The future is linked to now’,” [4]. This statement depicts how time and environmental factors have influenced a change in people’s thoughts and the future of design. But also, to educate aspiring designers.


“young female designers could greatly benefit from a change in the exposure and representation of women in graphic design” [5]

Brockett Horne, a designer and the Chair of Graphic Design at Maryland Institute College of Art

The range of over 60 expressive designs by over 50 designers that are also focused on how female designers have accomplished to produce pieces that are revolutionary, unique and iconic.


References
1. Hinn, T. (2019). Women in Graphic Design (and why we need to talk about them) | Desktop. [online] DesktopMag. Available at: https://desktopmag.com.au/features/women-in-graphic-design-and-why-we-need-to-talk-about-them/ [Accessed 6 Apr. 2019].

2. Hinn, T. (2019). Women in Graphic Design (and why we need to talk about them) | Desktop. [online] DesktopMag. Available at: https://desktopmag.com.au/features/women-in-graphic-design-and-why-we-need-to-talk-about-them/ [Accessed 6 Apr. 2019].

3. Connory, J. (2019). Plotting the Historical Pipeline of Women in Graphic Design. [online] DHARN. Available at: http://dharn.org.au/plotting-the-historical-pipeline-of-women-in-graphic-design/ [Accessed 7 Apr. 2019].

4. Grazia Australia. (2019). From the heart to the red centre, Elliat Rich’s designs are going places. [online] Available at: https://grazia.com.au/articles/elliat-rich-interview/ [Accessed 7 Apr. 2019].

5. Fussell, G. (2019). The Influence of Women on Graphic Design Over the Last 100 Years. [online] Design & Illustration Envato Tuts+. Available at: https://design.tutsplus.com/articles/the-influence-of-women-on-graphic-design-over-the-last-100-years–cms-30617 [Accessed 7 Apr. 2019].

Monica Yin